Lindsay Aromin
Lindsay Aromin
During my travels, I feel drawn to flowers for their vibrant colors, tones and fantastic textures. Going through my photos I realized I took more pictures of flowers than people. Only my museum shots outnumbered them. I have even stopped the car so I could go out and take pictures of some vivid colors that caught my eye along the roadside.
I wanted to tell a story about artists and how we worked and thought and planned before we picked up a brush. My paintings start with one of my photos and devolve into a small painting and then into an abstraction of that painting. They are happy paintings that come out of a difficult time in my life and also in our country's life. I believe that you have to look at the brighter side of things and art will take you there
My background in art is strange. I was told as a third-grader that I could not draw and I took music lessons and I never had an art class. After taking a drawing-one class in a local college at the ripe old age of 52 and then transferring to U Conn where I graduated with a BFA Summa Cum Laude at age 58 and then on to my MFA at Vermont College at 60 years. After school, I reached out to Norwich Arts Gallery and have been a member since then.
Sandra Jeknavorian
The Endless Path
Slowing down and connecting with the world around me. Being fully present in the moment, whether big or small in significance. Doing what I want to do. Working with things I like, that inspire me. This is when I am truly living and this is what I strive to do as an artist. I alternate between different mediums and modes of working, prompting my mind to travel into different realms of thinking and feeling. Most of my source imagery originates from the natural world, then I allow my imagination to be my guide. I am happy when my artistic practice becomes a meditative experience. While some planning goes into my work, I never know what the end-result will be. The process is just as important as the end-product and I am excited by this mystery. As Robert Henri writes in The Art Spirit, “For an artist to be interesting to us they must have been interesting to themselves."
I was born in Hartford, Connecticut in 1974 and obtained my BFA in Painting with a minor in Art History at Hartford Art School. I earned my MFA in Painting from the University of Massachusetts, where I met my husband, sculptor Sean Langlais. I am a professor of Painting and Drawing at Three Rivers/Connecticut State Community College in Norwich, Connecticut and Program Coordinator of Visual Arts. I am the director of Three Rivers Gallery on the college campus. I have curated shows and exhibited my work throughout the Northeast. My work is part of the permanent collection of the United States Federal Government, Department of the State; two of my paintings are installed in the United States Embassy in Yerevan, Armenia. I am an elected artist at Norwich Arts Center and a member of Armenian International Women Artists. My grandfather was landscape painter Claude W. Stevens II, graduate of Dartmouth College and son of Connecticut State Representative, Claude W. Stevens I. I live in Connecticut with my husband and son Charlie.
Everything Depends on Where You Are in the Circle,
pastel and charcoal on paper
Untitled
Smoke on canvas
Fleeting World
Acrylic and charcoal on canvas
Floating in the World
Mixed media
Untitled
Smoke and acrylic on canvas
Untitled
Smoke, acrylic and charcoal on canvas
Untitled,
Smoke and acrylic on canvas,
The Pale Blue Eye
Pastel and charcoal on canvas